The film Not Just a Game covers a broad range of sports and politically
charged topics. The topics, which range
from the militarization of football, sexuality in sports and whether athletes
should take a political stance, are relevant in any sports conversation today.
One of the
first points in the film I found interesting discussed the militarization of
today’s sports culture. The first aspect
is how athletes, particularly football players, will use military lingo while
describing their games. The film plays a
clip of then University of Miami tight end Kellen Winslow II saying “It’s war,”
and later “I’m a f**kin soldier!” during a post-game interview after a
particularly physical contest against Tennessee. Another aspect of the militarization of
sports is related to the presence of the military at the games themselves. Starting with a coin toss from the most
decorated General to the American flag hanging from the Green Monster, I think
we can all say we’ve seen it. Dave Zirin
provides a first-hand account of going to a baseball game on “military
appreciation night” and an announcement about where in the ballpark you can go
sign up!
Another
interesting point from the movie relates to the brutality of football. As Zirin comments in the film, “The average NFL
career is three and a half years and the average player will die twenty years
sooner than the rest of the population.”
This sounds like someone who is diagnosed with a terminal illness not a
retired professional athlete. The film
also emphasizes this point during an interview in which former NFL player John
L. Williams describes the ten different surgeries he’s had on only three
different body parts.
The third
point of the film I found interesting was in regards to gender in sports. During the 1967 Boston Marathon, which didn’t
allow women, Kathy Switzer registered as “K. V. Switzer” and was given a
registered number. Once she was noticed
by race officials, one of them ran out and tried to remove her from the
competition. The men running with her
pushed the official out of the way and as Zirin describes “for them the Boston
Marathon wasn’t about proving male supremacy, pitting boys against girls. It was about people running a race.”
One the
other side of the coin, there were points in the film that did not exactly help
the cause, in my opinion. The first of
which was the use of actual movies to emphasize the masculinity and brutality
of football. Clips from Varsity Blues and Patton were played and I felt them unnecessary when real life
examples were available and suitable. Trying
to make a point about the real world and then using fictional movies to make it
didn’t make sense.
A second
point in conflict was in regards to Muhammed Ali. Ali is civil rights icon and as Zirin
describes him: “When he believed in something, he believed in standing up for
it outside of the ring.” However, Ali
was not perfect and his relationship with Joe Frazier is often left out of his
accolades. During their trilogy of
fights, Ali often referred to Frazier as a “gorilla” and even said “It’s gonna
be a thrilla in Manilla when I kill that gorilla” (Parker). These inherently racist statements should be
included when discussing Ali because it paints the entire picture for the
audience.
The final
point of disagreement comes from the segment on Michael Jordan being a
representative for Nike. As shown in the film, Jordan covered up the Reebok
logo with an American flag during the 1992 Olympics because he had a contract
with Nike. Also, he was subject to
skepticism in the public eye for not endorsing an African American political
candidate in his state. Michael Jordan
is a very successful businessman and part of that is because of the loyalty to
his own brand but also because he has been neutral politically. Both of these things are within his right and
athletes are not responsible for political opinions. Recently, Jordan has donated money to social
justice causes. (Neuharth-Keusch).
One point
of connection between the film and a chapter by Jeffery Bineham touches upon
homophobia in professional sports. In the
chapter “Tragedy and Comedy as Ethical Responses to John Rocker,” Bineham
references Rocker’s inflammatory and derogatory quotes from a 1999 Sports
Illustrated article. In the article, Rocker,
at the time a pitcher with the Atlanta Braves, describes the people of New York
City and is quoted as saying “some queer with AIDS” and “some 20-year old mom
with four kids.” This ties directly with
quotes from former NBA player Tim Hardaway.
The film plays the recording of an interview Hardaway did after former
NBA player John Amaechi came out as homosexual.
Hardaway says, “I let it be known I don’t like gay people.” This point emphasizes that homophobia is
still prevalent in professional sports.
Another correlation
to the movie comes from the chapter by Leonard, entitled “Eye Candy and Sex
Objects: Gender, Race, and sport on YouTube.”
In his chapter, Leonard describes the sexually charged YouTube comments
left on videos of female athletes Hope Solo, Alex Morgan and Allison Stokke,
regardless of what the video was about.
This shows the anonymity of the internet lets sexist comments rise to
the surface. In the film, Zirin is
quoted as saying that “in 2001 the only women to appear on the cover of Sports
Illustrated, this is a weekly magazine now, were the Dallas Cowboys
cheerleaders.. from 1972!” This shows
that women are still treated as sex objects by even the mainstream media.
A final point
that connects the two is women’s tennis star Billie Jean King. King not only started the Women’s Tennis
Association, she also fought for equal pay for men’s and women’s tournaments
but also defeated former men’s Wimbledon champion Bobby Riggs in the “Battle of
the Sexes.” In his chapter, “Is Your Underwear
Flame Retardant: Sexuality in Sports,” Zirin says “King was far more than an
athlete or a symbol, she was an activist for women’s equal rights.”
In the chapter “Ethical Foundations and Perspectives”
Christians outlines five key ethical guidelines. One of them is Mill’s Principle of Utility, which
states “Seek the greatest happiness for the aggregate whole.” This principle can be applied to the media’s
coverage of women’s sports. As Zirin
mentioned in the film, “women’s sports now get five percent less airtime than
twenty years ago.” If the sports media
covered both genders equally, happiness would be provided for the whole.
Another ethical
principle in the chapter by Christians is Aristotle’s Mean, which states “Moral
virtue is a middle state determined by practical wisdom.” This can be applied to the FOX football
announcers wearing army fatigues during their broadcast from a base in
Afghanistan. FOX as a media company, is
not living in the middle ground because they are actively supporting the military
and complicit to selling its agenda.
A third
principle from Christians is “Love your neighbor as yourself.” This can be applied to a portion of the media
that covered the death of Pat Tillman.
When it was revealed that the military covered up the circumstances of
Tillman’s death, his mother appeared on the news program 60 minutes to tell her
side of the story. By having her on, 60
Minutes is basically doing what it felt was right, and would do for any of its
own which was to give a person the chance to tell the truth.
The film
Not Just a Game creates many questions about how politically charged issues in
sports are covered today. Sadly, it
seems women and LGBT athletes are still subjected to decreased coverage and
corresponding sexism and homophobia.
However, as more of these films are made and expose the skewed coverage
on certain issues the more likely the playing field will be equal.
References
Christians, et al. Ethical Foundations and Perspectives
(2012)
Bineham, Jeffrey. Tragedy
and Comedy as Ethical Responses to John Rocker. (2005)
Leonard, David J. Eye
Candy and Sex Objects: Gender, Race and Sport on YouTube (2013)
Zirin, David. Is Your Underwear
Flame Retardant: Sexuality in Sports (2013)
Neuharth-Keusch, AJ. Michael
Jordan Donating $2 Million to help address police-related shootings. (2016)
Parker, Lonnae O’Neal. In
Trilogy with Muhammed Ali, the words hurt Joe Frazier most. (2011)